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There has long been a slight disconnect between Dior’s runway image and the image of the brand presented in, say, its celebrity perfume ads — a gap that was actually wider and weirder in the early Galliano years.Philo, by contrast, seems to have a lot of say in Céline’s overall image — from advertising to the intimate scale of her shows to the cool elegance of the company’s new Paris showrooms.He was uncomfortable with the old formalities of couture, like being addressed as “monsieur.” He didn’t want to feel isolated, nor make fashion that was out of touch.
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But as he said then, “When you do six shows a year, there’s not enough time for the whole process.
Technically, yes — the people who make the samples, do the stitching, they can do it.
But Dior is a much larger, more complex business — the pride of Arnault, a virtual fiefdom on Avenue Montaigne — and it seems unlikely that one individual, however willing and admired, would ever be given too much power.
So perhaps, after three and a half years at Dior, Simons felt it was not the best place for him.
I have also had the chance over the last few years to benefit from the leadership of Sidney Toledano.